NATIONAL CONFERENCE ON VOICING THE VOICE OF THE VOICELESS: SEEKING SPACE THROUGH LITERATURE
Held On 25th February 2020
Organized by
SREE SARASWATHI THYAGARAJA COLLEGE,
Palani Road, Pollachi, Coimbatore – 642107, Tamil Nadu
Published: Mar 13, 2020
Articles
BREAKING OF THE DAWN IN BEVERLEY BRENNA’S WAITING FOR NO ONE
INANIMATE TO ANIMATE: ANIMISM IN J.R.R TOLKIEN’S THE HOBBIT
DEPICTION OF DOMESTIC VIOLENCE IN THE NOVELS OF ROHINTON MISTRY
IMMORTALISING THE MORTALS WITH REFERENCE TO MAHESH DATTANI’S PLAY BRIEF CANDLE
ENDURING EXCLUSION AND CONFIGURING AUTONOMY IN SUDHA MURTY’S MAHASHWETA
REWORKING OF MYTHS AND FOLKLORES IN GIRISH KARNAD’S HAYAVADANA AND THE FIRE AND THE RAIN
A DOLL TO A WOMAN: THE METAMORPHOSIS IN HENRIK IBSEN’S PLAY A DOLL’S HOUSEA DOLL TO A WOMAN: THE METAMORPHOSIS IN HENRIK IBSEN’S PLAY A DOLL’S HOUSE
REVITALIZING SOCIETY AMIDST THE EXISTING SOCIAL CONSTRAINSREVITALIZING SOCIETY AMIDST THE EXISTING SOCIAL CONSTRAINS
“VENTING OUT” AT THE GENDER DYNAMICS THAN “SWALLOWING” IT IN SEFI ATTA’S SWALLOW“VENTING OUT” AT THE GENDER DYNAMICS THAN “SWALLOWING” IT IN SEFI ATTA’S SWALLOW
BREAKING THE NARRATIVE MANACLE: A FEMINISTIC INQUEST ON ANGELA CARTER’S THE BLOODY CHAMBERBREAKING THE NARRATIVE MANACLE: A FEMINISTIC INQUEST ON ANGELA CARTER’S THE BLOODY CHAMBER
RENOUNCEMENT OF LIFE IN ANITA NAIR'S FICTIONSRENOUNCEMENT OF LIFE IN ANITA NAIR'S FICTIONS
CAGED BIRD ASTHA IN MANJU KAPUR’S A MARRIED WOMANCAGED BIRD ASTHA IN MANJU KAPUR’S A MARRIED WOMAN
VOICE FROM VOICELESS AS REFLECTED IN ACHEBE’S NO LONGER AT EASE AND ANTHILLS OF THE SAVANNAHVOICE FROM VOICELESS AS REFLECTED IN ACHEBE’S NO LONGER AT EASE AND ANTHILLS OF THE SAVANNAH
INTERRELATION OF HUMANS AND FAUNA: INVESTIGATING MYTH IN E.B.WHITE’S CHARLOTTE’S WEBINTERRELATION OF HUMANS AND FAUNA: INVESTIGATING MYTH IN E.B.WHITE’S CHARLOTTE’S WEB
RACIAL DISCRIMINATION IN E.M FORSTER’S A PASSAGE TO INDIARACIAL DISCRIMINATION IN E.M FORSTER’S A PASSAGE TO INDIA
ECHOES FROM THE HILLS: MAPPING FRONTIERS OF NAGA CULTUREECHOES FROM THE HILLS: MAPPING FRONTIERS OF NAGA CULTURE
VOICE FROM THE GREEN HILLS FOR THE VOICELESS CREATURES: ANIMALISMVOICE FROM THE GREEN HILLS FOR THE VOICELESS CREATURES: ANIMALISM
DELINEATION OF WOMEN AND WOOD IN THE NOVEL OF CHITRA BANERJEE.DELINEATION OF WOMEN AND WOOD IN THE NOVEL OF CHITRA BANERJEE.
REVISITING ‘NU SHU’: A CONUNDRUM FOR THE CHINESE WOMENREVISITING ‘NU SHU’: A CONUNDRUM FOR THE CHINESE WOMEN
THE MYTH OF MOTHERHOOD IN FLORA NWAPA’S EFURU AND IDUTHE MYTH OF MOTHERHOOD IN FLORA NWAPA’S EFURU AND IDU
THE VOICE OF TRANS-MASCULINE COMMUNITYTHE VOICE OF TRANS-MASCULINE COMMUNITY
Voice of the Voiceless in a Select Diasporic Narrative of Uma ParameswaranVoice of the Voiceless in a Select Diasporic Narrative of Uma Parameswaran
FEMINIST PROPORTION IN ANITA NAIR’S MISTRESSFEMINIST PROPORTION IN ANITA NAIR’S MISTRESS
A MOTHER TO KNOW THE OTHER – THE ROLE OF MOTHER TONGUE IN THE SECOND LANGUAGE CLASSROOMA MOTHER TO KNOW THE OTHER – THE ROLE OF MOTHER TONGUE IN THE SECOND LANGUAGE CLASSROOM
NATIVE AMERICAN LITERARY RENAISSANCE: AN OVERVIEW WITH REFERENCE TO N.SCOTT MOMADAY
A CRITICAL STUDY ON MARITAL DISSONANCE IN MANJU KAPUR'S CUSTODY
UNFOLDING URMILA’S MATURED PERSONALITY IN KAVITA KANE’S SITA’S SISTER
CONQUEST OF SLAVERY IN PAUL AUSTER’S GHOSTSCONQUEST OF SLAVERY IN PAUL AUSTER’S GHOSTS
VOICE FOR THE VOICELESS IN SELECT NOVELS OF ANITA DESAIVOICE FOR THE VOICELESS IN SELECT NOVELS OF ANITA DESAI
RACE AND EXISTENTIALISM IN TONY MORRISON’S SULARACE AND EXISTENTIALISM IN TONY MORRISON’S SULA
KNUT HAMSUN’S GROWTH OF THE SOIL: MIRRORING THE QUINTESSENTIAL VOICES OF INDIGENOUS PEOPLEKNUT HAMSUN’S GROWTH OF THE SOIL: MIRRORING THE QUINTESSENTIAL VOICES OF INDIGENOUS PEOPLE
FOLKLORE AND MYTH IN J.R.R.TOLKIEN’S THE HOBBIT: OR THERE AND BACK AGAINFOLKLORE AND MYTH IN J.R.R.TOLKIEN’S THE HOBBIT: OR THERE AND BACK AGAIN
